The OKKO CocaComp is a studio quality compressor and clean boost pedal. It doesn’t color your tone, it enhances it.
Use it for your clean sound to make it big, tight and punchy without squashing your attack...
put it before your dirty amp or overdrive pedals for dynamic singing lead tones without much distortion...
plug in your Piezo-equipped acoustic guitar for a fatter, less harsh sound... use it with your bass guitar...
the Coca makes everything sound better :-)
The CocaComp’s circuit has nothing in common with the classic grey, red or orange stompbox compressors.
Like expensive studio compressors, it works with an optocoupler for smooth and natural compression.
Instead of Attack/Release/Treshold and all the controls, the Coca has only one control for the compression
called SING (You won’t miss any of the others). It works like an "upward" compressor –
leaving te attack and strong notes unchanged while amplifying quieter notes and subtleties
of your playing and increasing the sustain.
PUSH is the volume/boost control, unity gain is around 10 o‘clock.
The low noise design and parts choice for the CocaComp results in an exceptionally
quiet operation – no hiss, hum or other unwanted noise!
SOUNDS
Unfortunately, it’s impossible to capture the „feel” of a pedal in a sound file...
so you can only hear what the CocaComp does to the sound.
The samples were played by Chris Harvey using a Fender Strat into a
Komet 60 amp w/ EL34s.
Sample 1: PUSH is around 10 for unity gain and
SING around 1 o’clock:
without ...and with Coca
Sample 2: PUSH on 10 again, SING on maximum
dry ...and with the CocaComp
Some Videos (one with guitar, one with bass):
Use it for your clean sound to make it big, tight and punchy without squashing your attack...
put it before your dirty amp or overdrive pedals for dynamic singing lead tones without much distortion...
plug in your Piezo-equipped acoustic guitar for a fatter, less harsh sound... use it with your bass guitar...
the Coca makes everything sound better :-)
The CocaComp’s circuit has nothing in common with the classic grey, red or orange stompbox compressors.
Like expensive studio compressors, it works with an optocoupler for smooth and natural compression.
Instead of Attack/Release/Treshold and all the controls, the Coca has only one control for the compression
called SING (You won’t miss any of the others). It works like an "upward" compressor –
leaving te attack and strong notes unchanged while amplifying quieter notes and subtleties
of your playing and increasing the sustain.
PUSH is the volume/boost control, unity gain is around 10 o‘clock.
The low noise design and parts choice for the CocaComp results in an exceptionally
quiet operation – no hiss, hum or other unwanted noise!
SOUNDS
Unfortunately, it’s impossible to capture the „feel” of a pedal in a sound file...
so you can only hear what the CocaComp does to the sound.
The samples were played by Chris Harvey using a Fender Strat into a
Komet 60 amp w/ EL34s.
Sample 1: PUSH is around 10 for unity gain and
SING around 1 o’clock:
without ...and with Coca
Sample 2: PUSH on 10 again, SING on maximum
dry ...and with the CocaComp
Some Videos (one with guitar, one with bass):
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